Why model a railroad ?
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Half O scale layout previously displayed at the museum
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Shortly after the begining of railroads, came the interest in model railroads.
Full sized railroads were too big and expensense for household use, so reduce
sized models were made of the real railroad equipment. Many of the initial
finely detailed models were manufactured by instrument companies for patent
submissions. A few models were made by individuals for their own amusement.
Sizes varied subject to the practicalities valued by the builder. It is in
this context that declaring scales as inventions with dates becomes folly.
Rather the historian is left to find first mention of a scale or ratio in the
model magazines or newspaper accounts of the era. What is presented here, is a
good faith effort to identify moments of commercial manufacture which increased
availablity of a particular size of train to the point that it became
noteworthy in quantity and amount of indivduals modeling in that size.
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Half O scale layout previously displayed at the museum
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A Brief History of Model Railroad Sizes
The size of the models varied significantly and were largely dependent on what
toy manufacturers thought they could sell. Early toys of the 1800's were
manufactured in wood, later overlaid with printed paper, and finally in cast
iron. Most of the early toys were push-pull in nature, commonly enhanced with
a draw string attached to the front of the locomotive.
As manufacturing technology improved, propulsion became incorporated into the
locomotive. The earliest forms were clockwork, e.g. wind-up; then later live
steam, as well as, friction momentum. Many of these were sold without track,
meant to be played with on the floor. A few manufacturers offered circles of
track, but only suited to running their own offering. Surprisingly, just about
all these methods survived until the late 1960's.
It is the German firm Marklin who is credited with introducing sectional
track systems. Marklin took a simple approach to most everything. It offered
sizes 1, 2, 3, 4, and 5. It's probably too early to call this scale, because
adherance to an exact size was marginal. These were toys, very nice toys
indeed.
Propulsion was either clockwork or live steam. Size 5 was the biggest and
size 1 the smallest. Customers could choose a size and buy items similarly
proportioned. Size 1 was smaller and thus more affordable, which translated
into greater production quantities of size 1 in comparision to larger sizes.
The standardization of train sizes greatly enhanced the hobby. Sets of
locomotives, cars, and track could be added to with subsequent purchases.
Additionally, accessories of minature buildings, ticket offices, tunnels,
signals, signs, and crossing gates could be purchased. Catalogues were created
and they make fascinating study of the variety of manufacturing. Many of the
minature buildings featured chimneys and the interiors could be illuminated
with candles. Even the semaphore signals featured little oil pots, that could
be filled and their wicks ignited. The painting and enameling on these trains
and accesories was done by hand, and the effects are exquisite. It's one of
the many factors that has contributed to their esteemed reputation in toy
train collecting.
Of course, playing with fire, matches, denatured alcohol, liquid parafin, and
candles produced more than one household tragedy; which resulted in
experimentation with electricity as a new means of toy train propulsion.
Honestly, it wasn't much safer. Household electricity was uncommon in the
1900's, and electrical house current standards not set.
Many of the earliest electric motors ran on 110
volts or higher, which meant derailments resulted in high current direct shorts.
If one could image the hazards, the 'safer', 'scientific', methods included mixing quart jars of battery acid
and running on low voltage. Railroads were not safe for children, and model
railroads were not safe either! If you were a young model railroader, you had
to be very courageous in those days; your limited choices of peril were to be
maimed by fire, shocked by electricity, or burned by battery acid! Take notice
and proceed at your own peril, and thankfully they did...
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"O" gauge rails are 1-1/4" apart
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Whoever heard of 'Zero'?
It wasn't long after that, that Marklin came out with something smaller than
one, which it called 'zero'. We know of zero, because it persists today as 'O'
(pronounced 'oh'). O as we know it today became a very popular size
because of it's modest occupation of real estate, meaning the curves fit
reasonably within the the boundaries of a four by eight sheet of plywood. But
in the 1900's it convienently trimed the base of a Christmas tree. And within
that concept, little Christmas villages started to adourn the surrounding real
estate. These little empires lasted only into January, at which point,
everything was boxed until next year.
Nuremburg Germany featured several prominent toy maufacturers who specialized in tin manufacturing,
particularly, Bing, Carette, Marklin, Plank, Schoenner, and later Fandor.
Early pre-war model train manufacturing originating in Germany in the 1900's
was dominant in Europe, England, and even the United States with imported trains.
It's difficult in these early years to say that "O" had a particular scale
or size other than a dimension of gauge as measured as the distance between
rails. Locomotives and cars of one manufacturer weren't necessarily
proportioned similarly to another. The couplers which interconnected the
cars weren't standardized either. This meant trains ran segrigated by
manufacturer, or loosely coupled by improvised methods.
Another distinction of this period was the electric motors which featured
field windings on the horseshoe shaped magnets surrounding the armature of
the motor. Initially locomotives only ran forward and that sufficed the simplist
sets. Later trip latches were added to reverse the flow of electrons within the
motor armatures, and locomotives could now reverse direction. How train motors
responded to electrical current would now become a critical aspect in running
toy trains. Compatablity of trains would no longer be resolved by track gauge,
it also included whether the locomotives were powered by Alternating Current (AC)
or Direct Current (DC); and whether the track had two rails or three rails.
It is particularly important to note that not everyone in the early 1900's
understood the mysteries of electricity. In fact, most households lacked
electric services. If service was installed, it often was a single line
circuit of metal conduit mounted near the door with a switch on the batten
and plaster wall, then upward inside the conduit to the ceiling and then center
to a light socket. There were no outlets as we think of them today. So to plug
in the transformer, one took out the bulb and screwed in the train transformer
receptacle, and this was how the early train transformers were powered.
Equally primitive was the track system. Three rail track, consisting of two
metal rails connect by a metal track tie and an insulated third rail offered
the advantage that the tracks could be configured to form a loop and not result
in an electrical short. Additionally, railroad cars, their wheels, and axles
could all be manufactured of metal, without concern that the left wheel needed
to be insulated electrically from the right wheel. Again let's remind ourselves
that our modern fondness for plastics was reserved to the minimal use of
Bakelite. So it made sense, not to complicate matters with insulating materials
except for flat pieces of fiber board which served to hold motor brushes and
electrical pickups.
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"STD" gauge rails are 2-1/8" apart
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What we need are 'Standards'
If toy train sizes weren't already confusing, (listed as 5, 4, 3, 2, 1, and 0...)
it would be up to a newcomer to re-define American toy trains. Joshua Lionel
Cowen was a young man who patented a little electric fan motor. Sales in the
early 1900's for electrical items in pre-electrified America were slow, so he
reconfigured the motor to power a motorized window sales display. What appeared
to be a rolling cigar box, ran on two rails on an oval of track with rails
spaced 2-7/8" apart. unknowingly, this modest display evolved into his big
success. The display was sold, and shortly thereafter, its appeal as a
motorized train set took off.
Not long afterwards, Joshua Cowen introduced 'Standard gauge' trains.
'Standard' rails were spaced 2-1/8" apart and were anything but standard. One
theory about how this came about is that European manufacturers often expressed
their gauge by measurements of rail centers rather than the inner surfaces of
rail edges, thus 'Standard' gauge was a measurement error. Another theory is that
it was pure American marketing genius. By declaring an arbitrary gauge as
standard, and trademarking Lionel trains as 'Standard', it set the precedent
to argue that all other trains were inferior because they were not 'Standard'.
'Standard' gauge trains, and 'Wide' gauge trains which became the non-trademarked
way to refer to them, enjoyed great populartity from 1905-1939. Manufacturer's
included The Lionel Corporation, Ives Toy Trains, American Flyer Mfg.
Co., Dorfan, Boucher, and General Manufacturing. Early
toy trains were adorned in polished brass, bright nickel metalic finishes, and
colored enamels.
In 1925, Wide gauge saw a new entrant, American Flyer Mfg. Co. of Chicago Ill.
American Flyer offered a green No. 4000 0-4-0 Boxcab electric locomotive with 4039
Baggage car, 4040 Pullman, and 4041 Observation car. In 1925 it followed
up with a red No. 4019 0-4-0 Boxcab electric locomotive with 4039 Baggage car, 4040
Pullman, and 4041 Observation car. Full page color ads in the Saturday
Evening Post December 5, 1925 proclaimed "All American - The Boys of
America Designed This Train". Unlike the enamel painted Lionel trains, the
cars by American Flyer were painted by printing on sheet metal using a technique
called lithography. This allowed American Flyer to produce printed effects
such as window frames, metal seams, rivets, and shadow details, as well as
numbering and lettering. This manufacturing technique led to the use of the
term 'tinplate', synonymous with sheet metal formed toy trains.
Slowly the pre-1926 palette of Lionel colors brightened and the subdued black,
deep green, and mauve (desert tan) were replaced with bright red, apple green,
and orange. The large gear which was positioned behind the flange of the
locomotve wheel was reduced in size and the oversized flangeway of track
switches modified to conform to railroad practice.The period of 1927-1939
are considered the golden years of pre-war Lionel train manufacture. A large
variety of locomotives, rolling stock, and accesories were offered in a wide
assortment of enamel colors. Prestigous sets sought by collectors today
include the legendary Blue Comet set, the Green or Brown State set, and the
green Stephen Girard set. Of course those were the top of line sets that
children dreamed of. On the more affordable level, the No.8 or No.10
electric locomotive pulled two or three 300 series passenger cars.
Ives competed aggressively with offerings of it's Black Diamond, and Prosperty
Special. Ironcically the effects of the 1929 stock market crash would have a
lasting impact on Ives, and the once prominent toy manufacturer would see it's
toy train manufacturing business divided as spoils between Lionel and American
Flyer. Standard gauge trains would soon fade from their prominence as smaller
gauges and scaled trains became more popular. Standard gauge would remain
dormant until the resurgence of big trains was rekindled by LGB and modern
reproductions introduce by Williams, McCoy, Mikes Train House, and Lionel.
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"American OO" has rails 19mm apart
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What could be smaller than zero?
By 1935 playing with toy train was evolving into larger collections and a
growing sophistication amongst hobbists. Model Railroader began
publishing a monthly magazine devoted to the new hobby of model trains.
New terms were being tossed about, including a special term, 'scale'. Scale
was the concept that real objects are proportionally replicated in minature
according to a precise ratio. Up to 1935, references in toy trains commonly
identified trains by gauge, this new method would refine train sizes by
proportion.
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Lionel's Scale Hudsons of 1938 in O scale, & OO Scale.
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By 1938, nearly all the toy train manufacturers were offering something smaller
than 'zero'. The size was called "OO" which patterned after British practice of
duplicating letters to indicate sizing.
Lionel seized the 1938 scale momentum annoucing it would offer a scale Hudson
and rail car line in 'O' and minatured in 'OO'. The 700E and 700T Scale Hudson
was probably the most highly detailed offering of the era. An equally scaled
and detailed box car, hopper, tank car and caboose rounded out the offering.
Lionel's OO offering was an identical beautifully minaturized version of it's O
scale product, minaturized to the scale of 1:76.2
running on 19mm gauge track. The locomotive and cars intially were offered in a
scale and semi-detailed version for three rail track, They also were offered
in scale and semi-detailed versions for two rail track. All versions used
alternating current and reversing switch triggered by an abrupt pulse of half wave
rectification.
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"European OO" has rails 16.5mm apart
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Marklin also jumped into the OO game, but unlike Lionel, it's concept was to offer
1:76.2 trains running on 16.5 gauge track. It was interesting in a sense
because 16.5mm gauge is what is used today for half zero.
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Half-O "HO" has rails 16.5mm apart" apart
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The emergence of Half-O
HO or Half-O emerged just before the begining of World War 2 as the model train industry began making scaled model
trains rather than toy minatures. At the time, Alfred Carlton Gilbert had purchased the American Flyer Company
of Chicago from William Ogden Coleman and moved the machinery to Connecticut. The intent was to make a smaller
sized train, more affordable, more practical, and more to scale than previous toy train products using metal diecast
methods. The O gauge and wide gauge offerings would slowly be displaced by HO scale and later S scale model trains.
Interestingly for 1938, A.C. Gilbert company choose the New York Central Hudson as the flagship locomotive, along with a
boxcar, reefer, gondola, and caboose. The HO scale at 1:87.1 was smaller than Lionel's OO 76.2 and it ran on 16.5 mm
spaced rails which were narrower than the 19 mm spaced rails used by Lionel OO. The locomotive also ran on direct-current
rather than alternating current. This allowed the locomotive to be reversed in direction by reversing the polarity of
the direct current in the rails. The track was manufactured out of sheet metal and closely resembled Marklin's OO track,
altered by removing the center rail and isolating each rail from the track bed. Gilbert's HO product line would evolve by increasing the variety of locomotives, cars, track, accessories, and
standardized HO couplers.
Other manufacturers and importers quickly joined the ranks of those offering Half-O products.
Notable among domestic manufacturers would be Gordon Varney (Varney), Bill Athearn (Athearn), and John Tyler
(Mantua/Tyco) who were producing a sizable variety of HO scale trains.
Likewise, overseas firms like Fleischmann (Germany), Rivarossi (Italy), Revell (Germany), Roco (Austria),
and Cassida (Italy) would offer modified european trains or newly engineered American rolling stock for
sale as imports into the American market. A significant number of these products were imported and rebranded
under names like Associated Hobby Manufacturers (AHM), General Hobby Corporation (GHC), and Polk's Hobbys.
By 1958 HO scale was quickly
displacing O scale from it's predominance in scale model railroading. Hobby magazines, department store catalogs,
and the most favorite of all, Christmas "Wish Books" featured three rail LIONEL / Marx trains along with a page or two
of HO scale offerings. The smaller size, greater detail, increased realism, operating reliability, reduced cost, and variety of product
was quickly contributing to the scale's populartity and sales.
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"OOO" gauge rails are 9mm apart
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Can motors be made smaller than HO?
It wasn't long after that, that Marklin came out with something smaller than
one, which it called 'zero'. We know of zero, because it persists today as 'O'
(pronounced 'oh'). O as we know it today became a very popular size
because of it's modest occupation of real estate, meaning the curves fit
reasonably within the the boundaries of a four by eight sheet of plywood. But
in the 1900's it convienently trimed the base of a Christmas tree. And within
that concept, little Christmas villages started to adourn the surrounding real
estate. These little empires lasted only into January, at which point,
everything was boxed until next year.
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Copyright (C) 2024, Augusta County Railroad Museum, All rights reserved.
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